Antique Furniture Restoration
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Antique Furniture Museums |
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By John Tope
Museums follow one or a combination of several philosophies depending on the condition of the antique:Museums sometimes have a different point of view than collectors or owners of family heirlooms when it comes to the conservation and restoration of antique furniture.
The problem with this philosophy is that the object will likely continue to deteriorate. Museums in these instances strive to create a perfect stabilized environment for preventing such deterioration. They can be environmentally controlled encasements. This can be very costly and sometimes impractical. It is especially impractical when these objects are in your home subject to all forms of environmental hazards. Regardless of any philosophy, stabilizing the environment should always be a part of any preservation plan.
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John Tope
John Tope is an associate member of the American Institute For Conservation Of Historical And Artistic Works, Wooded Artifacts Group Of The American Institute Of Conservation and The Objects Specialty Group Of The American Institute Of Conservation. Member of the National Association Of Watch And Clock Collectors. Member Of The American Watchmakers Clockmakers Institute and Associate Member of The British Horological Institute.
Bookcase. Design published by T. Sheraton 1806.
Cabinet of ebony with carvings of boxwood. 1867 Exhibition, Paris
Secretary and bookcase carved in oak. German gothic style 1846.
The photos above are taken from the book "Illustrated History of Furniture" by Frederick Litchfield. Published in London, 1892. The book was formally owned by James St. Vincent Brook Saumarez, 5th Baron de Saumarez. (1889-1969) |
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